Attach it to the cluster and then move it accordingly to have it in the middle. 35 or something), and draw a vertical line of that thickness. Then go to the line tool and choose a thick line (.2, or. Choose any shape and on the shape designer, choose it and delete it. That settled go to the shape tool -> shapes -> create new. Then with the mouse move the new stem as needed to start from the top note and upwards a little. Click select, to select the newly made shape. Don't worry about not being exactly on the middle (the small circle there). Double click on the handle that will appear on the chord to enter the shape selection. Then go to special tools -> custom stem tool and then click on the bar of interest. Thus the need for a graphic notation is greater than ever! simmilaraly you may notice that the first and second strings to change their pitch are not playing normal semitones, but quarter tones. This is why it's not a full staff and is empty in between. If you notice the first staff to be found (the smaller one), it is there that the conductor (as this is the conductors score, you will never see something like this in a part really), sees which pitches enter. This is a technique, first used by Penderevsky in his work "Threnody for the victims of Hiroshima". The image is kinda distorted and small, and it doesn't really show, but the thick line on the first main staff grows thicker, while more instruments enter.
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